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Not much happening
Shyamalan's latest is toxic for the audience
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June 18th, 2008 issue
By Rachel Shimp
COURTESY PHOTO |
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Bad vibrations: Marky Mark shares some disturbing finds with his science class.
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The Happening
Directed by M. Night Shyamalan
With Mark Wahlberg, Zooey Deschanel, John Leguizamo and Ashlyn Sanchez
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For the PostIt may not be the end of the world, but it could be the end of the line for M. Night Shyamalan. The Happening was poised to redeem the writer-director’s shaky reputation, but it falls flatter than the infected bodies in this depressing eco-thriller. If you want to see people stab, shoot, hurl, hang and feed themselves to tigers, then see the litany of sorrows that is The Happening. If you want to see a good movie, rent The Sixth Sense.Shyamalan was a young director with two minor movies completed when he surprised everyone with 1999’s The Sixth Sense. The ghost-story-with-a-twist earned more than $600 million at the box office and garnered six Academy Award nominations, including Best Director and Best Original Screenplay for newcomer Shyamalan. He was set to become a force in clever, suspenseful filmmaking. Only one of those adjectives has followed him since, with each film employing the formula set by Shyamalan’s debut. Tension and unpredictability, created by stories that move at a snail’s pace, prevail — but often in ways that aren’t so interesting. Of his work since, 2002’s Signs was the most well-received and 2006’s Lady in the Water the most widely derided. Aside from the controversy Shyamalan stirred up with the studios regarding Lady’s production, one critic called it the Showgirls of the fantasy genre, referring to that movie’s wooden dialogue and convoluted plot. Those same issues plague The Happening, which is being marketed so vaguely that it appears to be a movie about the rapture. Something creepy and evil is afoot, but God knows what. Ironically, the mystery is revealed fairly early on. But it doesn’t keep the characters from repeatedly asking, “What’s wrong?” Actual sample conversation:“Oh, no.”“What ‘oh, no’?” The film’s characters are only mildly shocked at the harrowing turn of events in the Northeast United States. Early one morning in Central Park, people start mumbling, then stop walking, then start killing themselves in creative ways. Everyone quickly agrees that a biochemical toxin is at work, but nobody knows from whence it came. Mark Wahlberg is science teacher Elliot Moore and Zooey Deschanel plays his wide-eyed wife, Alma. They’re both skilled actors who deserve much better. With her deadpan charm, Deschanel has stolen scenes in movies like the black comedy The Good Girl. With the right script, she could have done the same here. But her best line might be, “Can you believe how crappy people are?” Elliot’s best friend is a math teacher named Julian (John Leguizamo), who flees the city with the couple and his daughter Jess (Ashlyn Sanchez). Both men have a “respectful awe for the laws of nature,” and try to comfort people with statistics and percentages related to the attack. Unfortunately, their logic doesn’t transfer to the disease itself. The second stage of the toxin’s effect on the body involves apparent paralysis, yet its victims are able to perform complex mechanical functions such as cocking a gun, or turning on a riding lawnmower and lying down in front of it. The loss of speech could be an ingenious plot device, but it would have been more interesting to hear what is driving the afflicted to suicide — incredible pain, perhaps? But the story isn’t interested. Whatever’s happening is the work of a misanthrope. And The Happening as a film seems opposed to even a D-grade slasher movie’s most basic mission, to entertain. Like most of the villains in Shyamalan’s films, The Happening’s is unseen. Wind, darkening skies and rustling plant life provide the atmosphere. It could have been a firecracker, a starting point for a discussion on the physical state of our planet. But, as one crazy lady in the Pennsylvania wilderness of The Happening says, “I don’t care about the world. It don’t care about me.” B would follow A, wouldn’t it? Rachel Shimp can be reached at rshimp@praguepost.com
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Reader's comments:
add your commentI must be out of touch, but as much as I demand a well-done, well-thought-out, original idea, I found The Sixth Sense to be my least favorite Shyamalan movie. It's the most commercial, as in, you get the cheap thrill of the twist ending, and it's relatively easy to figure out. There's no need to look deeper. There's no need to actively watch. Instead, you can sit back and be entertained. That's what we live for, right? We want our movies to do all the work, then we wash ourselves clean of it once the credits roll.
But, as grown-ups, shouldn't we be weary of that? If movies are an art form, then art used as mere entertainment and distraction is (merely) prostitution.
The Happening inspires thought, not just about thrill subjects like global warming or terrorism, but about human's relationship to nature, the endless possibilities of nature, and--yes--our duty to be in awe of something we don't fully understand.
It's also frightening. The gore is there for shock value, but the true horror comes later in the movie, in the form of a woman who's spent too many years cut off from the world. Here's where Shyamalan shines as a master of horror, in the quieter, subtler moments.
The Happening is entertaining, but it also demands more. It demands we actively participate in the movie, suspend our disbelief, and THINK. That's a bit like reading a book, but who does that anymore?
People are cheap, and they want cheap movies. But M. Night Shyamalan isn't a prostitute. He's attempting to tell stories, not sell you 1.5 hours of easy distraction. But in an age of remakes, sequels, and endless comic book revamps, is there's a place for storytelling?
Geneva
Einstein never reportedly said that quote.
west babylon
Richmond
Monessen
Hampshire
The exponential rate at which the toxin was distributed over the course of 24 hours cannot simply vanish in half an hour's time. This movie was inconsistent and most certainly required the viewer to suspend his common sense in order to procure the parallels between the plant's pain, and the gruesome suicides of the people afflicted. Furthermore, the movie's dramatic events were necessary to the climatic rekindling of romance between our heros.
This essence of love for life, and humanities' inability to extend that gift beyond our own relationships was clearly his point. He wants us to respect our nature because it has continued to provide us with the elementary components that sustain all life. He wanted to demonstrate the backlash of our indiscretions, as portrayed with Alma's desire to separate herself from the marriage she sees as meaningless.
However, such distance leaves us vulnerable to the other side of nature, its wrath fueled by our inability to recognize the problem at hand.
Having conveyed an appropriate sense of what that douche bag was going for, it failed miserably in all accounts as a film. Dialogue was weak and did not help develop either plot line. If he wanted to be so damn preachy he should have just written a novel and stuck it on a shelf next to "environment for dummies," just so you'd know how incredibly far-fetched his tale is.
As I said earlier, M. wants us to suspend our common sense so that we can sink into his meager world of crappy parallels and unsubstantiated theories. The only "science" in the movie was the plant's reaction to human presence, which has been documented. Plants are indeed capable of perceiving human emotion and motivation.
I would encourage anyone interested to do further Internet reading on the matter. However, plants are evolutionarily bound to their genetic component and cannot spontaneously produce isolated cataclysmic events, ever. It takes millions of years for any creature to respond adequately to the threat of predatory behavior, and as humanity has only recently been able to produce the pollutants necessary to eradicate life on this planet, it is impossible for an entire flora to react identically in warding off such a predator as man.
The movie was boring, unintelligible, and lacked any convincing reason to support Marky Mark's tribulations of a doomed relationship.
Without any facts to back up this claim, it must have been easy to shoot this movie on a nice spring day in bumble---- USA.
I would never watch this movie again, nor see another one of M. night's abysmal films.
He is in his own little world, and I suggest we leave him there.
Boston
Coppell
New York City
OKC
The plot told you near the beginning who the villains were, and after that, talked about hot dogs!
What's worse, the acting was spotty at best, what with Mark's "Bill Nye" impersonation, and overall naive nature, while bit characters were nothing more than a one-line description. Even trying to tie the movie in with bees was pitiful.
What's more, the suspense is in the "quiet, LOUD NOISE" section.
The old, crazy lady was more of a hinder than a help in the movie, just randomly blurting out the whole slave hiding hole.
So maybe I am one of those easily entertained movie-goers. But at least I demand somewhat believable acting. Or at least a more coherent plot than, "Oh no! The plants are out to get us!"
Reynoldsburg
I get so irritated with critics. My friend had read some reviews prior to seeing the movie and then moaned throughout the entire film, basically repeating the same thoughts that critics have been saying.
Think for yourselves, people!
Although I was a bit disappointed that it wasn't wrapped in a nice little box at the end, I still think it was a success.
I agree also with Coyla.
Rockford
The point being made in this movie, if any, was discarded because of how bad the script and acting were.
PORTLAND OR
New Hope
The shame of it is, this could've been a good movie. It was a little bit 'War of the Worlds' and a little bit 'Legends'. Too bad Shyamalan couldn't reproduce the magic from Sixth Sense and Signs.
Raleigh
Action: C
Dialogue: D
Screenplay: C
Plot: C+
Verdict: Depress fest for the bloodthirsty population of boredom. This movie can be added as Al Gore's "or else" backup to the Global Warming DVD (which was more interesting than The Happening by the way).
This movie is a Class A gorefest for all who love to see blood gush and limbs get shredded right in your face.
The Happening can be related to The Mist. After watching The Mist and how wretched it made me feel, I can say that The Happening movie succeeded in that as well.
The Happening is a movie that does make you think, but it never gives us a solid answer as to what went on.
The only credible evidence the movie gives us was from the scientist on the news. His statement was along the lines of "we know everything about it, but actually don't know anything about it."
Is that good or bad? You decide. I found it to be bad, because I kept wondering, what if this movie was just a film of a worldwide flash mob (not a serious statement)?
This has to be the 10th recent movie this summer that in some way bashes American society.
I applauded movies for calling out America to open our eyes to greater issues. But I think by now I understand that there are a lot of issues going on; one more movie is not going to change people's minds about much, especially not this one. The only decision I am making after seeing this one is not to go see another one of Shyamalan's movies.
But I found Signs to be a pretty good movie.
In The Happening, I found the dialogue to be very poor, and in a few scenes, you could see the microphone at the top of the screen.
If you want to see a bunch of morons get owned by a bunch of plants and teenage boys get blasted by bitter rednecks, watch this movie. I'm not a fan of movies that show every inch of detail on how someone has just been killed. The party of 10 that I went with all found the movie to be very random at various moments. One scene the couple and the little girl were in the house hiding, and the next minute it says 3 months later, and the kid hops on a school bus like it never happened. EVEN after that, it shows a European atmosphere of people walking in a park, as the same horror is about to strike there.
I am aware that we as humans are not doing a good job in taking care of the planet, but I don't think seeing a man throw himself to the lions is going to encourage me to "go green". I don't recommend that anyone see this movie, just because of the horrible images it leaves in your head after you walk out. It sure did ruin a good Friday night for me, after the movie, I didn't want to do anything, but freeze and mumble random things to get a laugh out of my friends.
Silver Spring
One could suggest, then, that Shyamalan is suggesting that the earth's response to man and this kind of idea is equally preposterous as the idea of mythical underwater girls with magical powers.
One of the explanations is smart and imaginative: the other, unfortunately, is worthy of praise only from the likes of Al Gore and the rest of the extreme left-wing eco-fanatics.
Knoxville
Albert Einstein
Quoted 04.12.07 23:37:24
Einstein did say that quote. i think this movie had a good message -- we as humans ARE destroying the planet, and we should learn to love the planet. It is a gift to us, but obviously not many people care and yet no one will understand the meaning of the movie.
I believe it was a bit bland as for there was no logical background about why all of a sudden the killing took place, etc., but then again, it portrayed a message -- be more kind to the earth.
UK
I am still disappointed, though. I think it could have been done better. I think that the concept is extremely compelling and thought-provoking.
And it had the potential to be so much more than we ended up with.
While Night did quite well with some of the suicide scenes and building suspense and all that, it just plain wasn't acted that well. It was as if the people in the film were trying to escape the chicken pox or the flu as opposed to certain death.
If something like this really happened, my godness people would FLIP OUT.
It would be so much more chaotic, confusing, and desperate in real life. The script really kept things in a weird place, sort of like they were running away from a swarm of bees -- scary, but as if there was no risk of dying. I kept thinking of the Village, at the end; one guy was dying, and there was so much passion and angst in the actors' faces. I would expect at least the same amount of emotion in this film, but it didn't ever happen.
But it was still not too bad in the end.
Phoenix, Arizona, USA
This movie did not require you to think. It gave away the plot minutes into the movie, and there were no surprises. It sucked. The acting was horrible, the script was too corny, and the overall plot was unbelievably stupid.
Why
I enjoyed the idea as well, and that is usually the concept which appeals to me most in terms of enjoyment. I feel there is still a future for Shyamalan.
Perhaps Miss Shimp is being a little over-critical because he has never lived up to the perceived hype of the Sixth Sense. I feel it is unfair to repeatedly compare people to previous successes, as people will want to try different things and ideas.
Good film, which was overly criticized.
London
Tennessee
I did think some parts were too much like King's movies. It could have been done without the gore and blood. The twist was not as dramatic as other Night movies.
To have a quick flash or taste of what the people saw would have been interesting if done right, but now we all have to use our own minds to fill that hole.
South Bend
It also moved at the pace of a snail.
I do not recommend this movie. It is reminiscent of a late-night horror rerun.
Columbia
Bangalore
OK, OK, enjoying this movie requires a little bit of an open mind.
The opening scene can only be described in one word, I guess two words, but hyphenated words -- bad-boy.
It was well done, and the style of dialogue carried out through the whole movie was so strange and distant. People would often make some random comment,like "You'd better not be eye'in my lemon drink" and then make awkward eye contact, then just stop.
So much of what was said seemed so unnecessary and random, but it just made the movie so much more mysterious and kept me guessin'.
Everyone seemed so distant. So many times, I just wondered, "What is that??"
A joke? Poor script-writing?
Does Shamalan intentionally do this? The Sixth Sense or Unbreakable was nothing like this, but wait, wasn't SIGNS??!.
Maybe the worst part was waiting unsuccessfully for Mark Whalberg to start bustin' faces, and instead we just got him talkin' in a little baby voice.
I didn't know breaking the type-cast meant being a little sissy.
Anyways, maybe it's not for most people, but this movie is worth checkin' out.
Nowhere
The American audience demands spoon-fed movies . . ."
Unfortunately, this one doesn't require you to think either, and it doesn't spoon feed you mindless entertainment either.
I am a big Shayamalan fan. His movies are some of the few that appear as if a bit of thought went into the writing and producing. They actually engage your mind, not just dazzle you with special effects or shock you with gore.
This movie however, required no thought. It required nothing but the patience to actually sit through the blandly written script. And the gore -- it just seemed cheap and over the top!
It was like those pathetic shows that use an over-abundance of sex or nudity because the producers know that is the only thing that will keep anyone interested. Shayamalan is above having to use such measures, and yet he cheapened himself and the movie by stooping to include such gruesome violence (the shotgun and the kids in particular).
Overall, I found this movie to be nothing but a propaganda piece and a huge disappointment. The script was dull, the plot was bland, and the overall effect left much to be desired.
I expected so much more from such a talented man.
Memphis
Washington, DC
Loganville, GA
Santa Fe, New Mexico
How can you say this movie made you think? Like the reviewer said, they reveal the mystery half way through the film, and the plot never deviates. No twist...no fun.
I dig M. Night, I really do, and was very excited to see this, but I have to say the movie fell short for me. Just my opinion.
Winnetka, CA
Greensboro
London
Atlanta
And for those who think that Einstein said that nonsense about bees, see this: http://www.snopes.com/quotes/einstein/bees.asp
Tulsa
The movies do NOT make you think, just like most of Hollywood garbage.
It seems to me that some believe that because the man is a little dark and quirky he is also deep and intelligent - enough to produce poor one-liners, mediocre suicide scenes that weren't remotely disturbing, and the most ridiculous story line I've seen in a while about killer trees (it's almost like ending a movie with "it was all just a dream" because you can't come up with anything better).
This movie WAS spoon-feeding the American public, at its worst.
The movie initially was so over the top that it just seemed Halloweeny and was extremely disappointing - the movie never redeemed itself.
If I wanted a critique on the environment, I would read a book that studies it, not a fantastical, convoluted movie by some stupid director.
The characters were stiff and difficult to relate to. Most of the movie just portrayed unemotional, stiff, boring people, running away from something (as was said earlier) that wasn't really that bad.
Nobody had an emotional reaction (at least not a reasonable one) to dead bodies, loss of loved ones, or a general loss of pretty much everything they had known. This movie was indeed made for the masses, with no thinking required.
If you want to think, read a book, sit in on a lecture, think for yourself.
If killer trees get you thinking, you might be a bit simpler than your pseudo-intellectual ideas would have you assume.
If only the director had played the part of the actor lying under the lawnmower........... one can only wish.
Denver
Only thing i liked was the music
Inkom
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