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May 17th, 2008
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Art with heartA stunning set of aerial photos shows the world from a human perspectiveBy Mimi Fronczak Rogers For The Prague Post September 20th, 2006 issue
One message Arthus-Bertrand brings through his photographs is that of the unfamiliar beauty of our planet when seen from a new perspective in his case, while hanging out of helicopter cabins with a long-lens camera pressed against his face. But the photos also show the fragility of the landscape, which can be devastated on short notice by a tsunami or hurricane or eroded more slowly through poor human environmental stewardship. The monumental series originated when Arthus-Bertrand (born 1946) became enchanted by the view of the landscape in Kenya while riding in a hot-air balloon. He began imagining the photographic possibilities a helicopter could afford, with its ability to readily maneuver horizontally or swoop down and hover as long as necessary to get just the right shot. Over the past 15 years, Arthus-Bertrand has made more than 1,000 helicopter trips in more than 100 countries, producing more than 100,000 photos. The exhibition has traveled all around the world since late 1999. While on display in Prague, it is concurrently being shown in Amsterdam, Moscow and Melbourne, among other places.
"I saw the exhibition in Norway four years ago and decided, without any experience, to try to bring it to Prague," says Olga Menzelová, the organizer of the Prague exhibition. "I was an enthusiastic ordinary visitor." From the beginning she had the support of Prague City Hall and Prague 1, which allowed the exhibition to be installed on Kampa Island free of charge. So far, the Czech Republic is not among the countries Arthus-Bertrand has photographed. But Menzelová says she is in the process of arranging a daylong helicopter excursion for him over the country. From an aesthetic point of view, Arthus-Bertrand possesses a great talent for capturing landscapes, both natural and man-made, with a combination of strong composition, often with striking patterns, and gorgeous, saturated color. The large size of the prints (180 by 120 centimeters/71 by 47 inches) also draws in viewers and helps create curiosity about the origins of the images. Arthus-Bertrand satisfies viewers' thirst to learn more by providing texts for each photo written by a variety of experts. The texts cumulatively tell a story about how the natural environment is changing at an alarming rate as a result of human activity. With a powerful combination of image and word, the photographer communicates a message that is both "green" and humanistic. Along with longer texts about each individual location, there are brief texts with factual data about how people are living today statistics on population growth, access to clean water, energy consumption from sources such as the World Health Organization, the Red Cross and UNICEF. Around the halfway point in the exhibition is an information tent where visitors can buy books, posters and postcards and view a short documentary film showing Arthus-Bertrand at work. Nearby is a large world map with markers to indicate where the photos in the show were made. Kids and adults alike are invited to take off their shoes and traipse across the continents.
Menzelová says she receives many e-mails from teachers requesting the informational texts for the photos following class trips to see the exhibition. "The kids learn lessons from the show about how important it is to take care of the environment and about how to behave toward nature," she says. Many families are also taking their children to see the show. More than a month remains of this exhibition's stay in Prague, so take advantage of favorable weather on these autumn days or nights to take a stroll around the world. The chance seldom comes to see a selection of images that so brilliantly brings together artistry and a message about sustainable development. It is a body of work that comes from the heart. Mimi Fronczak Rogers can be reached at tempo@praguepost.com Other articles in Tempo (20/09/2006): Browse the Current Issue
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